Relation-Next - the show from SANATAN DINDA

 

Mona Lisa inspired me to paint

Sanatan Dinda's current exhibition of paintings is titled Relation-Next. and this is what he say about his work and style :

"Yes. My current exhibition delves into different facets of relationships. This relationship can be between two individuals or between an individual and a non-living object. There is nothing new in terms of subject in my paintings but the perspective of looking at those known objects is very different. I have painted Ahalya, Panchali, Durga, characters from the Old Testament. That apart, there’s Oedipus and even David. All of them are known characters. It’s my way of looking at them that is different from others. The first time that I saw Mona Lisa’s picture was as a child. It was on a packet made out of a newspaper. I was so awestruck by what I had seen. That picture motivated me to become a painter. So as a child I developed a relation with that painting. This stayed on in my mind when I later drew a boy staring at the Mona Lisa painting on the wall. Similarly I have visualized David as a navigator who is waiting on the banks of the Ganges. Again I inherited a few oleographs from my grandfather. These are the things which stayed with me over the years and compelled me to move ahead in life and pursue my dreams."

"There are a few motifs that I have used in my works, which are ugely suggestive. For instance, I have used a pendulum and a single eye in my version of Durga. I call the girl in the picture, Dugga. The pendulum here stands for sperm and the single eye symbolizes vagina. There is a picture called Banalata. She is not the famous Banalata Sen. I have used PVC tape to hide some of her feminine parts. This picture of mine is based on the poem written by Binoy Majumder which says: “Bhalobasha ditey paari, tumi grohone sakhham ki?” Similarly I have painted a reflection of the Taj Mahal and also added a few barcodes. Here the barcodes signify the consumerist society of today. Today, everything including me, has become a prey in the hands of consumerism. There is an amount of satire too in my paintings. In this context, I’d want to quote a few lines I had once jotted down: “Footpath theke akash dekhechhi ami/pash diye horidhhoni khoi/ amar shakol gaaye lege ache chinhoguli shob/ rupali jorir moto/ kintu sei mukhguli koi?” I have spent my childhood in the footpaths and used to watch corpses being brought each night near the burning ghat. When everyone slept, I used to watch the rituals being conducted before the bodies were finally charred. As a part of the ritual, khoi were thrown. That khoi looked more like dead stars to me. This was how my magical realism was born.
Is there any specific reason why you only paint with the 3D technique?"

"I use a technique through which I want to create a super and a magical realism. This concept of a ceiling, wall and floor together can be brought to life only by using this technique. It also lends a certain amount of movement to my works. " 

KNOW YOUR ARTIST
    On a purely visual level Dinda’s works are an eye candy. The very mastery of the man over his medium hits one in the solar plexus as one stands mesmerized, feasting the eyes on canvasses that communicate – super realism, or if there is something “ultra” beyond it, weaving its sensory spell.
    Dinda has chosen to pour feelings from the innermost recesses of his heart into his creations. His work is laden with statements, questions, suggestive references.
    The deft strokes, that have breathed life into the canvasses, compelling one, to salute the creator.  

Solo Show Academy of Fine Arts
February 11-17
3 pm-8 pm  

Runa Laila at Kolkata festival

Recently Runa Laila was at kolkata to participate at "Kolkata Festival", which is fast becoming another "parban"(festive season ) for the people of kolkata.
As we all know that kolkata is all about a distinct mix of old and new, pride and nostalgia and so was Runa Laila.There was a time when she was big in Bollywood, she recorded with Kalyanji-Anandji, Laxmikant-Pyarelal, and with Bappi Lahiri for Man Ki Jeet in which she sang a duet with Rafi saab; she counts her title track in Ek Se Badkar Ek that was picturised on Helenji as a huge hit, her number Do Deewane Shaher Mein from Gharonda is still remembered, and she’s proud of the work she did on films like Agneepath and Sapno Ka Mandir. Then just when Bollywood was getting used to her voice, Runa disappeared. “I didn’t stop, the work stopped,” she admitted candidly. “The fact is that I wasn’t living in India, and the hassles that Bollywood producers and music composers had to go through to get me down to record one song, permissions from the government, sanctions from the RBI, was strong reason for them to use someone else from here,” she revealed. And Bollywood’s loss has been Pakistan’s and Bangladesh’s gains, because Runa is actively singing for films in those countries, and she’s even married to Bangla actor Alamgir.
She is looking forward to teasing the audience with Dama Dam... and Mera Babu... “Dama Dam... is a devotional song, it’s in Seraiki dialect, a mix of Sindhi and Punjabi, and kya kehte hai... Sufi and Qawalli singers have done it,  In that respect and because of these two songs, even though she sings just about everything from pop to folk and ghazals to semi-classical, Runa Laila’s voice will remain evergreen. She has old fans and new everywhere. “The newcomers don’t recognise the face but know the voice,” she smiled.